Max Gladstone, Three Ways
Max Gladstone has been thrown from a horse in Mongolia and nominated twice for the John W Campbell Best New Writer Award. LAST FIRST SNOW, his next novel, is about zoning politics, human sacrifice, dead gods, and parenthood.
Max Gladstone has been thrown from a horse in Mongolia and nominated twice for the John W Campbell Best New Writer Award. Tor Books published FULL FATHOM FIVE, the third novel in Max’s Craft Sequence (preceded by THREE PARTS DEAD and TWO SERPENTS RISE) in July 2014. Max’s game CHOICE OF THE DEATHLESS was nominated for a 2013 XYZZY Award, and his short fiction has appeared on Tor.com and in Uncanny Magazine. LAST FIRST SNOW, the next Craft Sequence novel, will hit shelves in July 2015, and is about zoning politics, human sacrifice, and parenthood.
Not All That Long Really
Max Gladstone is a two-time finalist for the John W Campbell Best New Writer Award, and a one-time finalist for the XYZZY Award. In July 2015 Tor Books will publish his next novel, LAST FIRST SNOW, a tale of zoning politics, human sacrifice, and parenthood. LAST FIRST SNOW is the fourth Craft Sequence novel, preceded by THREE PARTS DEAD, TWO SERPENTS RISE, and FULL FATHOM FIVE.
Max studied Chan poetry and late Ming dynasty fantasy at Yale; he lived and taught for two years in rural Anhui province, and has traveled throughout Asia and Europe. He speaks Chinese, can embarrass himself reading Latin, and is a martial artist, fencer, and fiddler. He’s also worked as a researcher for the Berkman Center for Internet and Policy Law, a tour guide for the Swiss Embassy, a go-between for a suspicious Chinese auto magazine, a translator for visiting Chinese schoolteachers, a Chinese philosophy TA, a tech industry analyst, and an editor. He has wrecked a bicycle in Angkor Wat, sung at Carnegie Hall, and been thrown from a horse in Mongolia.
Here are two ways you can contact Max:
Email: me (at) maxgladstone (dot) com
Max is represented by Bob Diforio of the D4EO Literary Agency.
If you’re interested in translating Max’s work, please contact: