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Posts Tagged ‘last first snow’

A Triumphant Return!

I’m back!

Sorry, everyone, for my absence the last few weeks.  I’ve been on the road—throughout the Northeast, and then to GenCon in Indianapolis!  It’s been an amazing run, but without the time I’d needed to keep up with blog posting.  I’m back now, though, just dealing with an enormous pile of work and email and the like.

Tomorrow evening I’ll be dropping by Reddit’s Fantasy community for an Ask Me Anything Q&A session—visit r/fantasy tomorrow and you’ll see my post at the page.  Come!  Ask questions!  Chat!  I’ll be there at 8pm, beverage in hand, to answer.

Some stuff that happened while I was away:

Animator and fan artist par excellence Glinda Chen produced this amazing trailer for Two Serpents Rise!  I have no words for how amazingly cool this is.  If you like it, be sure to check out her tumblr, which is full of great Craft Sequence fan art.

(Two Serpents Rise from Glinda Chen on Vimeo.)

Seriously, I think I’ve watched this trailer about forty or fifty times by now.

Other video! Google NYC was kind enough to host us Tor Books Summer Road Trip folks for a Talk at Google, which you can see here and now thanks to the marvel of modern technology:

While I was on the road, I stopped by Bryant Park to talk about Hamlet!  I had a great time, and Tor.com wrote up the event.

Also relevant: the SFF Readalongs group over on Goodreads is hosting a readalong of Full Fathom Five.  If you’re interested, drop by—there’s been some great discussion over the last couple weeks.

Speaking, also, of the last couple weeks—LAST FIRST SNOW has been doing very well.  Thanks to all of your support we had a great first two weeks.  Brilliant reviews, too!  If you haven’t grabbed the book yet, on tour I took to describing it as “a novel about zoning politics and human sacrifice,” which about sums it up.

If you have read the book, and liked it, please do take a minute to write a review at the online bookseller or review board of your personal preference.  Some libraries also have review boards the days!

Also! If you’re interested in signed copies, contact Porter Square Books or Pandemonium and they’ll be able to hook you up.

That’s all for this week—I’ll have a more sensible post next week, promise.  Peace, y’all!


With apologies to Danny Elfman, Jack Skellington, and Tor Publicity:

My book! My book!

A box of my new book!

It’s out!

Please get it on your Nook.

Or bound!

Use a reader of your choice it doesn’t matter

I hope you will take a look!

My book!

File Jul 14, 9 20 27 AM

My book! It’s cool!

Protests and backroom deals

My book!

It’s tense—and somewhat real

My book!

The skies are filled with

Feathered lizards flying

Everyone seems on the edge

Read about it on the web!

Or read my book!

File Jul 14, 9 20 10 AM

I’m going on a tour this week

Harvard Book Store hosts tonight

With Bear Staveley and Cambias

We’ll Fury Road all right!

There are copies on the shelves today

My heart has grown another size

And with your support I feel a joy

Unseemly to describe….


Do you want it, do you want it

I’m so glad that you can has

I can’t wait, I hope you like it,

This strange tale you don’t yet know—

Read my book:

Last First Snow!

NPR Reviews the Craft Sequence! And I Have a Readercon Schedule!

I, um, wow—so, NPR reviewed the Craft Sequence.

I love seeing the developing mosaic of Gladstone’s world, the hard questions it asks at every turn, the uncertainty of its answers. These are books I long to talk about with people, so faceted and fierce are they, so dangerously aslant our own day-to-day grinds and so full of grace. Sharp, original, passionate — this series is everything I want urban fantasy to be.

I must have a gif around here somewhere for this.  Maybe…


I mean, that’s sort of right, but it fails to capture the sort of…


But that’s a bit too, I don’t know, competent and controlled for what I’m feeling now.  Though I suppose there’s always the traditional:



Also: time to post some con schedules!  I’ll be at Readercon in just over a week (!!) and here’s what I’ll be doing!

Thursday July 10

9:00 PM    G    If Magic Has Always Been Real. Karen Burnham, Lila Garrott (leader), Max Gladstone, Romie Stott, Walt Williams. Regarding the challenges of “the world we know, but with magic!”, Monique Poirier wrote, “If magic has always been real, why did colonialism and genocide roll the way it did?… It couldn’t possibly be the world we know without all the painful, fucked up history. And what good is magic if it can’t have altered that?” Naomi Novik’s Temeraire books address this by keeping many elements of history familiar but dramatically changing others. In Charlaine Harris’s Southern Vampire Mysteries, paranormal entities have always been there, but they hid from ordinary humans for safety and therefore lacked the ability to influence the course of history. How do other authors of historical fantasy and urban fantasy balance the inherently world-changing nature of magic with the desire to layer it on top of the world we have?

Friday July 11

11:00 AM    ENL    When Toxic Masculinity Is the Villain. Erik Amundsen, Max Gladstone, Josh Jasper (leader), Daniel José Older. In the “New Visions of Masculinity” panel at Readercon 25, we discussed the characters in Supernatural dying repeatedly because of toxic masculinity. Fighting demons is clearly easier than fighting the cultural narrative of men as arrogant, emotionally repressed aggressors who refuse to accept advice or reconsider poor decisions. What would it look like if a male character became aware of that narrative and decided to take a stand against it? Instead of toxic masculinity traits being used to generate repetitive conflict, how can authors build the tension between what the culture wants a man to be and who he wants himself to be?
12:00 PM    F    Writing in the Anthropocene: SF and the Challenge of Climate Change. Gwendolyn Clare, Michael J. Daley, Michael J. Deluca (leader), Max Gladstone, Vandana Singh. Science fiction and fantasy have often dealt with fictional apocalyptic scenarios, but what about the real-world scenario unfolding right now? Climate change, or climate disruption, is the most challenging problem faced by humankind, and some have called it a problem of the imagination, as much as economics and environment. In the wake of the latest scientific reports on what is happening and what might be in store for us, we’ll examine how imaginative fiction conveys the reality, the immediacy, and the alternative scenarios of the climate problem.
2:00 PM    CL    Kaffeeklatsch. Max Gladstone, Charles Oberndorf.
4:00 PM    G    Dhalgren at 40. Jim Freund, Max Gladstone, Elizabeth Hand (leader), Shira Lipkin, John Stevens. Samuel R. Delany’s Dhalgren was first published in 1975. It is now widely considered a classic, yet there is also the perception that it is a “difficult” book. How much has it influenced other authors and works? Does its dream-city serve as a predecessor for more recent fantastical places such as Ambergris or New Crobuzon? How have its experiments with the form of the narrative inspired more recent works? And how might a reader approach it for the first time from the vantage point of 2015?
5:00 PM    F    Subverting, Parodying, and Critiquing Cultures from Within and Without. Phenderson Clark, Max Gladstone, Mikki Kendall (leader), Malinda Lo, Walt Williams. On a 2014 Wiscon panel on cross-cultural writing, Daniel José Older noted that representing the rituals of another culture with factual accuracy isn’t sufficient; writers also need to understand what those rituals mean to that culture. In response, Nalo Hopkinson tweeted, “And if u have that knowledge, then is it ok 2 subvert the tradition? Beginning 2 think that may be the core question… not so much who gets 2 appropriate a traditional cultural artifact as who gets to subvert it?” Older responded, “We rarely even get to talk about subversion in this context but it’s a huge part of the story.” This panel will move beyond basic questions about cultural appropriation to discuss the power dynamics and moral nuances of cultural subversion, parody, and critique by insiders and outsiders.
8:00 PM    F    Revealing the Past, Inspiring the Future. Amal El-Mohtar (leader), Max Gladstone, Alena McNamara, Sarah Pinsker, Julia Rios. When writing Hild, Nicola Griffith was aiming for historical accuracy where possible, including in her depictions of women, queer characters, people of color, and slavery in seventh-century Britain. She writes, “Readers who commit to Hild might see the early middle ages differently now: they see what might have been possible, instead of the old master story about the place of women and the non-existence of POC and QUILTBAG people 1400 years ago. And if it was possible then, what might be possible today and in the future?” What other books and stories expand our notion of the possible by revealing the truth of history? How can creators of future settings learn from the suppressed or hidden past?

Saturday July 12

12:00 PM    CO    The Animate Universe. Judith Berman, Max Gladstone, Mikki Kendall (leader), James Morrow. In Western post-Enlightenment thought, the universe is seen as inanimate, acted upon by other forces. In some cultures, however, the universe is an actor with agency. What is the role of the universe in our stories, and in the worlds we create to house them? How does an animate universe inform or subvert the author’s and reader’s understanding of meddling gods, dead gods, prophesies, fate, Chosen Ones, and quests?2:00 PM    ENV    Reading: Max Gladstone. Max Gladstone. Max Gladstone reads The beginning of Last First Snow, my next novel—due out on July 14. Or maybe the first chapter of the book after that, depending on what people are in the mood for.

Sunday July 13

11:00 AM    E    Autographs. Max Gladstone, John Langan.
1:00 PM    G    Transformative Works and the Law and You. Max Gladstone, Toni Kelner, Adam Lipkin, Sarah Smith. Let’s discuss the state of transformative works today. Copyright law and case law in this area is changing rapidly, as is the way big publishing treats transformative works. Remix culture is the cutting edge of 21st-century creativity, and we are all postmodernists. Is the law finally catching up with that, or lagging far behind? Will the fate of copyright and transformative works ultimately be decided by the whims of corporations and powerful literary estates?
So: come see!

This July: the Tor Books Big Summer Road Trip!

Hello, friends!  Excited for Last First Snow?  I know I am!  And so’s the LA Times, which is pretty cool.  The big news today is that I’m gearing up for a tour—and not just any tour, but Tor Books’ Big Summer Road Trip!

This July, Elizabeth Bear, Brian StaveleyJames Cambias, and I will gang together on a tour of joint signings and events throughout the American Northeast, something like the Muppet Movie meets Fury Road only with more books and d20s.  (The internet has not yet supplied a recut of Fury Road to Movin’ Right Along.  BEHOLD MY DISAPPOINTMENT.)  We’ll be traveling for two weeks between ReaderCon and GenCon.  We have epic fantasy! Steampunk! Near future space piracy technothrillers! Necrothrillers!  What more could you want?

Nothing, I say.  Nothing at all.  Details below!

(Oh, and if you can’t wait, we have a few giveaways of Last First Snow on deck—Tor’s running one, and the Goodreads drawing is still open!)

4Untitled Untitled2 Untitled3


Tuesday, July 14, 2015 @ 7:00pm

Harvard Book Store – Cambridge, MA

Thursday, July 16, 2015 @ 7:00pm

Pandemonium – Cambridge, MA
Author Pathfinder Game sponsored by Paizo!

Friday, July 17, 2015 @ 6: 00pm

Odyssey Bookshop – South Hadley, MA

Saturday July 18, 2015 @ 1:00pm – 3:00pm

Friends of the Simsbury Library – Simsbury, CT

Sunday, July 19, 2015 @ 1:00pm

Bank Square Books – Mystic, CT

Monday, July 20, 2015 @ 7:00pm

Ferguson Library – Stamford, CT

Wednesday, July 22, 2015 @ 7:00pm

Towne Book Center – Collegeville, PA

Moderated by Chris Urie from Geekadelphia

Friday, July 24, 2015 @ 6:00pm

Northshire Books – Saratoga Springs, NY

Saturday, July 25, 2015 @ 6:00pm

Everyone’s Books – Brattleboro, VT

Sunday, July 26, 2015 @ 2:00pm

Phoenix Books – Burlington, VT
Hosted by Geek Mountain State

I hope to see you there!

Birdman! Also, Last First Snow Preorder!

Hello friends!  First, your weekly dose of the strange: Birdman’s Oscar nods last week prompted me to publish an observation I made back in December—that the film is a Muppet Movie.  Maybe even the best Muppet movie.

Here I am on Tor.com:

Here’s how it breaks down:

Michael Keaton is Riggan Thompson is Kermit D. Frog, neurotic leader of a troupe of misfits desperately trying to make it on, or at least near, Broadway with a charmingly dated concept (Vaudville in the 80s / painfully earnest Carver adaptations in the ’10s). Their shows are a weird mix of cynicism and blinding idealism, on a shoestring budget, with enough of a revue aspect to allow for hilarious backstage costume antics—bet-the-farm passion projects helmed by a director/writer/producer/star so desperately earnest it sometimes hurts to watch him.

Read the rest of the article.  Honestly, I think this may be why I got so into this film.  It has problems, of course, and friends of mine keep pointing them out!  Basically every critic or critically-inclined individual I know has struck sparks off the invective Keaton’s character directs at the film’s main critic character, not to mention the critic herself, for example.  (Granted, there may be a little bit of hitting-too-close-to-home at work there—back when Stuff White People Like was a thing, I’d been studying Chinese intensely for several years and living in Anhui for a while, not to mention that I was in my early 20s and had very little sense of humor, so I was not let’s say properly primed to be able to laugh at the site’s “White People Like Studying Chinese” article.  I am now, but that’s another story.)  And its portrayal of big-ticket New York theater, and of Chandler, is… hopelessly romantic?  Especially given that Big Ticket NYC Theater is a Business, and film people on stage are hardly a new phenomenon.  But I made the Muppet connection about halfway through the film, and so—of course what’s at issue here are these Big Overwhelming Simplistic Emotional Questions of Authenticity and Wanting to Do the Right Thing By These Flawed Weird People, of course the theater’s almost out of money, of course the critic is genderswapped Statler and Waldorf, of course of course of course.   It’s even possible that, because of the Muppet-like vibe, I was prepared to accept e.g. the film’s lionization of Carver, who’s a great writer but such an easy touchstone for spare artistic excellence that he tends to get used as a kind of lazy metonymy for Art even though the film doesn’t really interact all that much IIRC with, like, Carver himself, as kind of fun-poking at the whole unreflective Carver-is-PURE-ART thing, in the same way that The Muppets is always both winking at the camera and refraining from winking at it, at one and the same time.  (And in the same way it’s possible to think Carver is awesome and recognize the existence of the aforementioned Carver Thing.)

And there’s something to be said for raw freneticism that holds together; this film is sort of applying the Tony Jaa aesthetic (speed! continuity! choroegraphy!) to drama; it’s like Eddie Izzard’s American Adaptation of British Film method applied to, say, the first season of Slings and Arrows.

If you don’t know what I’m talking about re: Eddie Izzard, watch this.

If you don’t know what I’m talking about re: Slings and Arrows, watch this.

If you don’t like the first season of Slings and Arrows, you’re wrong, and you’re on the internet, so… keep being wrong, I guess?

Anyway, I had a wonderful time at Arisia.  Good cons and good conversations and good parties!  I got confused for a Doctor Who cosplayer at the Doctor Who party, even though I was just dressed like normal.  This is maybe the best compliment I’ve ever received.  Lots of good crunchy conversation on all panels.  Theory abounds!  On the final day I even engaged in some good old-fashioned postmodernist (or metamodernist) moon-shouting.  Hooray!

In Publishing News for the Week, it looks like preorders for Last First Snow are live!  I think they’ve been for a while, but maybe they’re extra-live now or something?  Go ye forth and preorder!  It’s all for the best!

Stepladder Epiphanies & Gender; also, Arisia Schedule!

Last week, while revising Last First Snow, I experienced what I tend to think of as a stepladder (or dim) epiphany, after the great line in Snow Crash:

[Hiro] finally went through a belated, dimwitted epiphany, not a brilliant light shining down from heaven, more like the glimmer of a half-dead flashlight from the top of a stepladder…

(Which line I just found in under a minute with reference to a physical copy of a book I haven’t read since China, so score one for codices and the human brain’s contextual search function.  But that’s another essay.)  Some days I wonder whether these kind of stepladder epiphanies aren’t the only kind—that truth, when or if it dawns, does so in the form of statements so basic it’s almost impossible to convey their depth or significance to anyone but the recipient.  So of course I’m going to try here.  Hooray!  (Also very mild spoilers for Last First Snow, my next book, ahead, if you care.)

One central character in Last First Snow is a father trying to balance duty, family life, and religious obligation.  He’s concerned: the world’s changed since his childhood, and the models of fatherhood, husband-hood, and civic duty he inherited from his parents no longer seem valid.  He’s trying to be a good man, but he grapples with the meaning of both those words.

And I realized, amid copy edits, like ten drafts into this book, that this character’s story (or, much of this character’s story) was about gender.  He’s wrestling with questions of gender performance, social roles, moral inertia, and historical demand.  He’s trapped, or at the very least confronted, by gendered terms—father, husband, man, priest, hero, king.

I didn’t have to go back and insert this angle, to be clear.  This stuff was in the book all along.  It’s not the only aspect of his character, and he certainly wouldn’t discuss it in these terms.  But it’s there, inescapable, in the marrow of the story.  And this isn’t some weird insertion of my own.  This is core fantasy stuff.  I intended this particular character’s arc to be in direct conversation with a bunch of trad fantasy and literary fiction.  Which means all those are about gender, too.

As with all epiphanies, this one has many facets, and I’m regarding each in the light, slowly.  Many (most?) of you out there will probably read the above and think, “duh,” or some more eloquent variation on same.  Unfortunately, my ponderous pondering doesn’t lead to a nice snappy sum-up.  If you’re the kind of person who seeks morals in blog posts, here are a few:

· Books are big and complicated and sometimes you don’t realize what you’re writing until long after you’ve written, no matter how much outlining or scheming you perform in advance.

· Gender structures are part of that enormous field of karmic interaction we inherit and manage / mitigate / destroy / maintain / subvert / transcend-through-awareness-of-suffering-&-codependent-origination (choose all that apply or add your own); they operate on deep levels.

· Lots of traditional fictional / literary quandaries are much more gendered than they may appear at first unreflective read.  Or at tenth reflective read for that matter.  (Sorry, Shakespeare nerd here, so these next few parentheticals will go really fast.) (To what extent does, say, Prince Hal’s strategy in Henry IV1&2 depend on the world of gender relationships and signifiers built in the play?  Hotspur is the best jock in Shakespeare’s jockiest environment, but/and that’s ultimately his weakness; Hal uses him as catspaw—yet Hal needs to figure out how to fake certain stereotypical forms of manliness in order to be an effective king.  And in this light it makes sense that so much of Hal’s character in Henry V is explicitly public, that he’s all speeches before armies, that the few times in HV we see him in private it’s like we’re seeing a warped, ruined thing, like Voldemort’s soul under that King’s Cross bench—that the degree to which Hal seems human at all in HV and not some kind of masterful broken puppet depends on the actors’ and directors’ ability & desire to sell the courtship scene b/w Hal and Katharine….)  (For that matter some of the greatest gender/power pondering in Shakespeare takes place in Othello—”not for all the world?“—which also features Iago, dark prince of Shakespeare’s clockwork men, contrasted with lover / dudebro / digital watch Cassio, and Othello himself, basically the most successful performer of manhood in the canon up to a point.)  (And then, Jesus, Macbeth and Lady Mac…) (Sorry, I need to go reread Shakespeare, I’ll be back in a bit.)

· Pace all the rest, that warped ruined thing under the King’s Cross bench is the single image from Harry Potter that stays with me on a gut-clenching personal level.  I don’t know what that says about me.  Nothing good, probably.

· Books never ‘just happen’ to be about, say, only men, or only women, or only genderless beings from Alpha Centauri.  Each option is a choice.  (Some choices may be so karmically conditioned, see above link, that we may not know they’re choices—they may seem to us like sight, or the absence of a choice.  The trolley problem is relevant here.)

· Did you know the trolley problem was first formulated by a woman, virtue ethicist Philippa Foot?

· Our choices have consequences—including the choice to stand by, and / or act in karmically conditioned fashions.  To the extent we are adults and awake, we seek to become aware of & live with the consequences of our choices.

· I’m really excited about this next book.

Housekeeping details: I updated the events page with my schedule for Arisia this weekend.  Also, Last First Snow got included along with a bunch of other excellent books in io9s Books to Watch 2015 Megalist.  And this year looks like it’ll be a killer one for books.  New Karen Lord! Zen Cho!(!!) Elizabeth Bear! China Mieville stories! Stephenson!  Ken Liu! Lagoon in the US with a worse cover than the UK edition but whatever! KSR! Y’all should watch out for Fran Wilde’s Updraft, also!  And Seth Dickinson’s The Traitor Baru Cormorant, which isn’t on the list but really should be.  And those are only the ones I know to be excited for.

LAST FIRST SNOW has a cover!

Hi everyone!  Check this out.



LAST FIRST SNOW, the next book in the Craft Sequence, has a cover!  It features Temoc, who those of you following along with the Sequence will recognize, and it’s absolutely badass.  Tor.com asked me for a post on the book, which turned into a solid essay on occupying fantasy.  Read the essay here!

Here’s the heart of the thing:

In dark moments, though, I don’t always want to attack a tale of kings to find the hope I need. I want a book that reflects the hopes I know, and the dangers people face as they work to realize those hopes.

I want a fantasy of taking to the streets. I want a fantasy with crowds and leaders, negotiations and council meetings. I want dockworkers, ex-priests, professional necromancers, cops, schoolteachers, chefs, gang leaders, imperfect human beings of all races and genders, with histories and baggage, who become heroes—sometimes only for a moment.

I want a government terrified for the future, struggling to preserve its power and work with a movement despite massive historical differences. I want an undead overlord who’s slain gods with his bare hands explaining to a citizen council why his rezoning proposal will improve the lives of the very people who protest it. I want a consulting sorcerer torn between her loyalties as talks fail and battle lines are drawn. I want a priest choosing to stand by his family, or by the faithful who look to him for help.

I want people who beat against the walls of history, who are bound by choices others made forty years ago, by the outcomes of old wars. I want good intentions to lead to horrible ends, and vice versa. I want a book of human and inhuman beings trying to do better, and of that trial being—maybe—worth the consequences.

Read more on Tor.com!

Just between us, I’m really excited for this book.  It’s the most intense of them all by far.  Also I’m focusing on older characters for the most part, folks like Temoc, Ms. Kevarian, and the King in Red, people carting around more history.   And there’s this really cool bit where—Aaaaaah I can’t wait to for y’all to read this.  Maybe I’ll write an early trailer for you.

Also this week, Rob Wolf of the New Books Network interviewed me about FULL FATHOM FIVE (which is still out and you should get it!), and the Craft Sequence more generally.  I talked a lot.  If you want to hear me talk a lot (based on some fascinating questions!) go ye forth and listen!

That’s all for this week—I spent all my blog post mana on the LAST FIRST SNOW post on Tor.com.  But in case you want further edits, I’m making solid progress into Craft Sequence Book 5, and there are numerous pieces of Exciting News that I’m not allowed to tell y’all about for the immediate future.  But: SOON.

Two More Craft Sequence Books!

The big news hit Publisher’s Weekly on Friday: Tor Books has bought two more novels in the Craft Sequence!  So, after Full Fathom Five, I get to play more in this world of creepy lawyers, boss skeletons, existential uncertainty and gargoyles and undead gods.

The first of the pair is done already—in fact, this morning I finished the fourth draft, a bit ahead of schedule.  With luck this means I can start the next book earlier, maybe even write some short fiction in the meantime.  I got a great title suggestion for a Craft Sequence short story at Boskone, and I’m eager to write something that goes with it.

Based on this deal, in the coming years you can expect from me, on the fiction front:

FULL FATHOM FIVE, due out this July, in which a priest who builds ‘idols’—fake gods primarily used for sacrifice avoidance—breaks the rules of her order to help out a friend and investigate a deal gone bad.  I’m especially excited for FF5 because it pulls together characters from previous books; this is going to be a much bigger element of the Craft Sequence moving forward, tying together prior installments and crossing story-streams.

LAST FIRST SNOW, as the (working) title suggests, is set a bit earlier along the series timeline, and shows the older generation’s history.  Dresediel Lex teeters on the edge of a knife, riven by protest over controversial zoning legislation, while a younger Elayne Kevarian confronts a tangle of conspiracies, revolutionaries, personal demons, and dead gods.

After that, I think we’ll revisit our friends in Alt Coulumb, and see what trouble they’ve made for themselves in our absence.  (Hint: it’s probably quite a lot.)

Outside of that I have SEKRET PROJEKT #2, as well as [REDACTED], on my plate.  Hopefully I’ll be able to give you less censored news about those in the near future!

In other news, I was going to write a bit here about rules, writing, and the martial arts, but as I was brainstorming I realized that you should all just go watch this clip from Enter the Dragon again:

Have a great week!