The Play’s the Thing, in Which I Run Around and Curse a Lot
Two weeks ago, friends and neighbors, in sunny, scenic Orlando, Florida, at the International Conference of the Fantastic in the Arts, a grand crime was committed against the theater. That’s right—I acted in a play.
Two plays, in fact! As part of ICFA’s first annual (I hope!) flash play festival, organized by Doctor (doctor doctor doctor) Carrie J Cole. A call for play submissions went out across the land, with the stipulation that each play had to contain (1) a bag of bones, an enchanted staff, or a ray gun (choose one), and (2) the line “Relax, it’s only an eyeball.” All five plays are up in their entirety on Bill Clemente’s blog, featuring the comic and tragic stylings of ICFA’s ThesBot brigade, including Brett Cox, Jenn Gunnels, Alayne Peterson, James Patrick Kelley, Stephanie Neely, Francis Auld, Andy Duncan, John Kessel, yours truly, and Marco “The Editor” Palmieri. Head to Bill for video of the others—they’re all fantastic in their own way. I’ve taken the liberty of crossposting the two plays I acted in, here. We weren’t off-book for these or anything—we had enough rehearsal time for a cold read and some minor blocking, so things get a bit hectic. Hectic—and PHENOMENAL. Without further ado, I present to you: plays!
Glitch, by James Patrick Kelley, story of Frankensteins and iPhones (sort of).
ABC, by Kit Reed, in which the term “writer’s retreat” takes on a whole new meaning, and in which I get to live every writer’s dream, except for the alligator part:
Rock on, and I’ll see you all next week!