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Posts Tagged ‘three parts dead’

LibraryJournal Day of Dialog Panel Aftermath

Short version: the panel, everyone on it, the entire experience-wonderful!

The longest version would start to look like one of my dispatch emails from China and Cambodia, which could run for well over 10 pages, so advance warning: that one might not ever see print, and certainly won’t now, since I’m running to get out the door in 20 minutes for Stephanie’s birthday present to me: a trip for the two of us to Rockport (the one in Massachusetts) where I’ll be cranking away on the manuscript for Two Serpents Rise (book 2!) in style in a beach cabin, and maybe (depending on weather quality) swimming.

Medium-long version: the panel was in the gray-and-red upholstered McGraw Hill Auditorium, and I was a bit nervous, since this was my first time out of the gate.  Public speaking isn’t new to me, but public speaking about something I’ve spent so much time stewing over, and thinking and more importantly caring about, is.  The closer a subject gets to your heart, the harder it is to talk about it, especially to a stranger (or a roomful of strangers).  I thought at first that I was the only one feeling a little shaky, but as we all walked up to the front of the auditorium, I could detect a little aura of nervous energy from all of us in our own ways, which made me a bit bolder.  If everyone’s nervous, then there’s nothing weird about being nervous in a situation, and you can enjoy it.  Fear gives an edge.

I wish I had a recording of the event, but in the Buster Keaton haze of my excuse for a usual morning ‘ritual,’ I’d forgotten my camera (and my business cards); maybe later when I have more time I’ll assemble some of the notes I made while preparing for the panel and post them here.  The questions ranged all over, from the responsibility of the historical fiction writer (depending on how you cut it four out of the five of us were historical fiction folks) to write accurate history to the nature of writing voices.  I talked about how Three Parts Dead grew out of uncertainty, out of a desperate scrambling attempt to understand an economy that, in the fall of 2008, tripped, stumbled, and fell into a meat grinder, and out of a sudden appreciation for the vast immortal and invisible systems that ran on faith and investment and dreams and, once in a while, died–and then, to stave off disaster, had to be resurrected by hardworking young men and women who wear suits and speak Latin.  I talked about Bryn Terfel and how operatic voices mature and develop over time, and about the many uses of the wonderful household maintenance tool called a five-way, and about a lot of things really.

The laughs came in all the right places, but I could hear the silences too, between my words, which is always encouraging when working with an audience.

Afterward my editors took me to Tor’s amazing Manhattan offices, where, walking about, we ran into Cory Doctorow, John Scalzi, and Charles Stross, who were all as amazing class-act type guys as you might imagine from reading their books and their essays scattered through the web.  They were in town to give a panel on DRM at BEA (Acronyms!  Not just for the consulting world any more!), but if I ever learn that Tor offices aren’t constantly full of excellent writers in smoking jackets, I think my vision of the world will tilt from its axle and explode.

Now really running up against my time limit, so let’s make the longer story even shorter.

In the afternoon we returned to the LibraryJournal event to sign books, which means for the first time I got my hands on a real live ARC of Three Parts Dead!  They’re beautiful.  The cover art looks even more amazing in person.  And we gave a *ton* of them away, often to people who walked up to me saying, “I don’t often read fantasy, but the way you talked about the book at the panel really intrigued me!”  Which was maybe the best part of the day, outside of, you know, all the other parts of the day.

And time!  Twenty-five minutes elapsed, now I need to run downstairs and catch the shuttle to Rockport.  Best to everyone, and I promise I’ll share some more exciting news come Monday!

 

Fitting Pieces Together

The surge of excitement over the cover release has receded a bit, like a tide, leaving a strange geography of problems to solve–a book to edit, a book to write, and a number of supplemental tasks for Three Parts Dead that I’ve been putting off for a while, many of which involve bugging artists I know.  For the greater good, I promise.  Pay no attention to the mad cackling behind the curtain.

Three Parts Dead : The Cover!

I’m thrilled to be able to share the final cover for Three Parts Dead—which you’ll see on shelves at your local book shop on October 2!

 I cannot say enough good things about this cover.  I love the painting (by Chris McGrath, who does covers for the Dresden Files books!), the design, the quote (from Jerry Pournelle!), the city, the color scheme…  Tara’s almost exactly as I pictured her; she’s gorgeous, but she also looks human (and her pose is a pose  human beings can adopt).  Even the glowing glyphs, more like circuits than runes, fit perfectly with my vision (and descriptions) of the world.  I went into this process with a “well, let’s see what happens” approach, and I’m so happy about the results.  The team at Tor rocks!

There’s another piece of new information in the log line of this post: I have a release date!  Three Parts Dead debuts on October 2.  Mark your calendars!  Start your engines!  Rev up your time machines!  (Note: if you have a time machine, can you give me a lift to the 22nd century?  I need to pick up some Future Milk.  Thanks for the help—I owe you one.)

That’s all for now, but watch this space for further developments about Three Parts Dead, my other books, and general insanity!

Three Parts Dead to publish with Tor!

For the last couple weeks, many tumblers have been falling into place in many locks – but at last, I can announce:  Tor will publish my novel, Three Parts Dead.

I’m so excited that it’s difficult to figure out what more to write – maybe I should just take a page from Victor Hugo’s publisher and post a single exclamation point.  I spend a lot of time in front of my keyboard, and it’ll be wonderful to see the product of that time out in the world.  My editor at Tor is really supportive, and excited about the book; Weronika’s been wonderful in shepherding the manuscript through various stages of submission and review.  The folks at Operation Awesome made the initial introduction, and if it hadn’t been for my friend Sam Justice’s urging, I wouldn’t have decided to buckle down and query in December.  Not to mention the constant encouragement I’ve received from wife, family, and friends down the years, without which I would have thrown my keyboard through the window, and followed it soon after…

And now I start to hear the Oscar band playing off stage, and the host advances with his shepherd’s crook…

The funniest thing about this whole process is that the further you get, the more work there is to do.  A long road stretches from here to final publication, and along that road I need to turn in at least one more book (hopefully more than one!) in addition to the marketing, planning, and general madness.  Oddly, this prospect doesn’t phase me one bit.  I feel like the young gentleman in the painting on the cover of Lord Byron’s Novel, who has obviously just reached the peak of one mountain, and stares out at an endless vista of further mountains to climb.

Well, let’s climb some more mountains.

Curious about the details?  Want a basic description of the plot?  Publishers Marketplace has the capsule description, but I think it’s behind a paywall – Weronika’s posted it to her tumblr.  Publishers Weekly’s description is in the free and clear on their website.

Reports of my Disappearance

Well, they haven’t been exaggerated, exactly, as you can see by looking through the blog archive.  The last month was intense.  First, I moved, and encountered in the process the wonderful Russian saying: “To move house once is to survive four fires.”  Nothing will make you less attached to your material possessions than the prospect of putting them in boxes, carrying the boxes to another house, and then removing them from boxes.  The Buddha should have just recommended his disciples move until moving liberated them from things.  However!  My wife and I are now comfortably ensconced in our new apartment, and enjoying ourselves quite well, thank you.

Second, there’s very exciting news on the writing & other strangeness front.  Most of it I’ll share with you as matters develop and clarify; for the moment suffice it to say that I’ve taken a well-deserved hiatus from editing to start writing again.  In the last couple weeks, I’ve finished the next short story for my Ring of the Niebelung project (folk opera-cum-short story cycle collaboration with my friend Dan Jordan – Wagner’s rolling over in his grave somewhere), and began to build a world bible for a comic project that’s been on simmer for months now.  Feels great to break out the ol’ AlphaSmart and make some magic happen.  Once the correct muscles are limber, it’ll be time for another book.

Watch this space for more news as it comes!

Awesome Character Art for Three Parts Dead

On Friday, my agent Weronika posted some excellent character art that my friend Melody Lu drew of characters from my book, Three Parts Dead.

Now, Mel and I have had lots of chats over Skype about this book, what characters would look like, how certain designs would flow, that sort of thing, because I’m a complete sucker for seeing the stuff I write about.  Art – with pencil, brush, pen, stylus, clay – is intensely cool, and people who can produce something that actually looks like an image they have in their heads leave me awestruck.

So of course, when I saw Weronika had posted a couple pics, I bugged Melody, who came through with an archive of character sketches and composed pieces that fill me with glee!  Check it out!

Interview Live at Operation Awesome

The wonderful folks at Operation Awesome interviewed me on Friday about agent-hunting, books, and the inspiration for them.  I actually had an answer for the “Where did you get the idea” question, which is a rarity for me as well as for the question at large.

Also, they asked me which god I thought my agent most closely resembled, which made me smile.

If you’re interested in the devious and weird way my mind works, check the interview out here: http://operationawesome6.blogspot.com/2011/04/amazing-max-gladstone-mystery-agent.html

You Just Got Hooked

Excuse the blatant A3 reference. Since finishing Three Parts Dead and starting the query process, I’ve felt a bit disconnected from the world. Fortunately, I’ve taken an old friend’s advice and decided to view the space between novels as a great opportunity for short story writing.

I just finished a 16,000 word not-so-short that I’ll be desperately cutting and polishing over the next couple weeks for Writers of the Future, one of the few markets for such beefy compositions. It’s got romance, dimensional travel, biplane duels with insect dragons, and a general overtone of bitterness and regret — everything you want this holiday season!

This story started off as a dream, but is also an elaboration on a comic project I’m really excited to be working on with Mel, Captain Brushpen over on Blogspot. She does awesome work and has two great illustrations of my work on her site right now, both from the first chapter of Three Parts Dead:

Ms. Kevarian was driving
Tara is Skeptical

Rock on.