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Posts Tagged ‘three parts dead’

Superman

I just spent all afternoon writing a prospectus for edits on the book I’m tentatively calling Five Eyes Break, which is the next book in the Craft Sequence after Two Serpents Rise.  I was going to take some time to discuss the Craft Sequence, my plans for it, Two Serpents Rise, and crazy worldbuilding, but that’s beyond me at this stage of typing-degeneration.  I’ll make it up to you on Monday, Internet, I promise.

Instead, let’s talk about Superman!  I still haven’t seen the movie, but Superman’s in the air.  I’ve never been as much of a Superman reader as I am a Bat-fan, but the character’s grown on me over the years—and outside of his continuity, he remains one of the most versatile and powerful symbols in comics.  Superman can be the standardbearer of undeconstructed Truth, Justice, and the American Way.  He can be an incarnation of Reaganist foreign interventionism.  He can be Jesus, or Jesus, or Jesus.  He can even be Stalin (sort of).

He is the ur-Superhero.  Eric Burns White has used Myth Criticism a couple times to describe Superman as the archetype superhero, the perfect iteration of the myth, from which all other superheroes are a deviation.  Here’s a good summary of the argument, though there are spoilers for Man of Steel near the end.  Superman is the Superhero; Batman is a superhero with a vengeance complex and an unhealthy fascination with terror.  Maybe those faults make Batman a more interesting character, but they don’t detract from the value of Superman.

My friend Dan and I were talking about Herculean labors the other day, and Dan raised the excellent point that Hercules, for all his position as the Strong Man of Greek Myth, solves his trials by being smart.  Each labor is designed to be impossible to accomplish with strength alone—the Augean Stables, for example, would take one man, no matter how strong, his entire life to clean out.  Hercules solves this by redirecting a river.  He couldn’t do that without his immense strength, sure, but immense strength alone wouldn’t solve the problem.

I propose a similar model for Superman stories.  The best of them aren’t “Superman hits Bad Guy faster than the speed of light, bad guy goes away,” they’re “Superman is placed in a position where it seems impossible to act in a Supermanly manner, and must figure out how to act and remain Superman anyway.”  The climax of Richard Donner’s first Superman movie (Lex Luthor’s two-missile dilemma) might be the simplest possible formulation of the Superman challenge.  Grant Morrison’s All Star Superman lives and breathes and is beautiful thanks to this type of challenge.  (And / but this sort of story also runs the risk of making Superman stories a little self-centered in their morality, which Alan Moore points out in his great Superman tale, Whatever Happened to the Man of Tomorrow?)

Anyway, that’s all.  No outrage here, just some pondering.  And, by god, if you read comics at all, read All Star Superman, and Alan Moore’s Superman stories—Alan Moore’s DC Universe collects many of his tales of the name-brand character, but his Supreme: The Story of the Year and even his Tom Strong books have lots and lots of Superman in them.

 

Three Parts Dead Trade Paperback Tour!

I’ve been off-blog busy for the last couple months—finishing a first draft of another book, working on short stories, fencing in tournaments, and pondering revisions to the third book in the Craft Sequence.

I’ll be bringing you up to speed on a lot of cool new developments over the next few days, but for now, I wanted to make sure you all knew that Three Parts Dead is due out in paperback late next month, and that I’ll be touring to celebrate!  Those of you who want a hardcover, buy now; those of you who want something you can throw in a beachbag, flock to bookstores on July 23.

The paperback features a slightly redesigned cover, with an enlarged version of Chris McGrath’s amazing cover art, and new quotes on the back from the glowing io9 review (!) and Felicia Day (!!).

(Um guys Felicia Day read my book!)

So, tour?  What does that look like?  Where will I be and when?  Read on, dear reader.

MAX’S WEST COAST AND BOISE SUMMER TOUR EXTRAVAGANZA!

San Diego Comic Con, July 19-21

I’ll rock out at San Diego Comic Con, and most likely participate in some programming, though we’re still working on final details.  More details to come on this one—we’re waiting for final info.  This is my first time to San Diego, and I have no idea what to expect beyond absurd over-the-top excess.  More details to come!

Powell’s Books, Portland OR, July 25, 7:30 PM

I’ll be reading some of Three Parts Dead, and maybe from new (as yet unreleased) material.  And answering questions.  Ask and ye shall receive.  If you dare!  Warning: answers not guaranteed to be comprehensible, or in a language hitherto known or comprehensible to humankind.  Probably will be, I just don’t want to make any promises.

University Bookstore, Seattle WA, July 26, 7 PM

More readings.  More questions.  Even less sanity!  It’s been a long time since I was last in Seattle, and I’m sort of impoverished when it comes to Seattle-themed reading material.  I guess part of Reamde’s set in the Seattle area; still, the strongest literary tie I have with the city is Terry Brooks’ A Knight of the Word, which is compelling, but probably left me with a warped image of Seattle, featuring more demon-muggings than occur in the actual city.  Dangers of urban fantasy tourism, I suppose.  Any suggestions?

Borderlands Books, San Francisco CA, July 27, 3 PM

I had a wonderful time on my last visit to Borderlands, and came away with a coffee mug and good memories.  Come for me, stay for the bookstore (which you really need to see this place to believe it, it’s so cool and pleasant and well-organized and if I lived in SF I would spend so much time and money there I probably wouldn’t have any left to spend anywhere else in San Francisco).  Or come for the bookstore and stay for me.  Works either way.

Hyde Park Books, Boise City ID, July 28, 3 PM

I’m very excited for this one—it’s the first signing I’ll give that will be attended by someone I’ve killed (in fiction, natch).  To make a long story short, one of the first novels I wrote (using 100,000 words as a cutoff here, for convenience’s sake—I wrote some stuff in the 100-page range as young as eight or so) was a giant fanfic for the Fantasy Powers League, an immense apocalyptic pastiche which doubled as a way to kill off a bunch of other people’s characters, with their consent of course.  And one of those dudes will be in the audience!  Hopefully he isn’t out for revenge.

Also, it’s likely that I’ll be doing some sort of workshop with the Boise Novel Orchard while I’m in town—again, more details as Evil Plans develop.

And that’s all I have time for this afternoon.  More details coming soon, especially about Two Serpents Rise—the next book in the Craft Sequence—and about the Craft Sequence as a whole.  Be well!

According to Wikipedia, I Exist

Just as it says on the tin.  I should not feel as excited about this as I do; after all this is the Free Encyclopedia Anyone Can Edit.  But the page has been up for a few days now and nobody’s deleted it for non-notability (though I may speak too soon!).  It’s very strange to be part of the world’s greatest linktrail where one can start reading about Chechnya and end up reading about Batman (via the Higgs Boson and Mary Kay Cosmetics).  And, for what it’s worth, I neither created the page myself, nor caused it to be created.  So that’s neat.

Also exciting: Fantasy Book Critic posted an excellent, glowing review of Three Parts Dead by Casey Blair.  It’s great in that it’s a good review, of course, but she also mentions a few aspects of Three Parts Dead of which I was particularly proud—the way that the resolution turns on (no spoilers really) confronting characters with things they believe they cannot do.  I gave a whole speech at Comic Con last year about this, and it’s really cool to see someone else pick up on it.

If you’re in or near Newburyport this Saturday, I’m on the Newburyport Literary Festival’s fantasy panel, along with the redoubtable Ethan Gilsdorf, Dr Livingston to the Geek World.  Drop by the Unitarian Universalist Church at 2:30 pm to hear us chat about all things fantasy.

 

John W. Campbell Award Nominee!

I was just nominated for the John W. Campbell Best New Writer Award!  (!!!!!!!!)  For those of you playing along at home, the Campbell Award is the Best New Writer award in Science Fiction and Fantasy.  It’s not technically a Hugo, but it’s voted on by the Hugo voters, administered by the Hugo Awards committee, and presented at the WorldCon Hugo Awards dinner.  So, um.  This is a huge deal.

I’m blown away right now.  Some past award winners and nominees include: George RR Martin, Jerry Pournelle, Felix Gilman, Diane Duane, Tad Williams (for Tailchaser’s Song!), Lois McMaster Bujold (!), Nalo Hopkinson, Jo Walton, John Scalzi, E. Lily Yu, Saladin Ahmed, John Scalzi, I’m going to stop now or else I’ll just re-copy the entire list.  It’s here—one of those lists where you know almost every name.  I’m honored, and awed, and really really excited to be nominated for this award.  Thanks so much to everyone who voted.  I’ve dreamed of being here.

For those of you who haven’t been here before, here’s a link to the book.  I like it, and apparently a number of other folks agree with me!  I hope you’re all having a wonderful weekend.  I sure am.

EDIT: And here’s the full list of nominees, courtesy of LoneStarCon!

EDIT 2: Since I wrote most of that blog post in a rush before the nominations were distributed, I didn’t actually know who else was nominated for the Campbell!  Here’s the list, in addition to yours truly:

Zen Cho
Mur Lafferty
Stina Leicht
Chuck Wendig

A range of really impressive and wonderful people.  What an honor.  I look forward to meeting as many of them as make it to Texas this year!  ‘Cos I’m sure going.

 

Massachusetts Book Award Finalist!

I just learned today that my book, Three Parts Dead, was chosen as a ‘Must Read Fiction Book for 2013’ by the Massachusetts Book Awards.  All the Must Read books get promoted in libraries throughout Massachusetts during spring and summer, and the ‘Must Read’ list is also the shortlist for the Massachusetts Book Award—which means I’m one of six fiction finalists!

This is a huge deal for me for a few reasons.  One, the slate is absurd.  Three Parts Dead is on there with The Song of Achilles, which won the freakin’ Orange Prize, and is an amazingly awesome book that you all should read now, for the love of Pete what are you doing still reading my blog?  Matthew Pearl’s The Technologists is on there.  So are William Landay’s Defending Jacob and Maryanne O’Hara’s Cascade and B.A. Shapiro’s The Art Forger.  In fact, if I’m counting right, the slate has three New York Times Bestsellers, one book by a New York Times Bestseller, a first novel Slate, the Globe, and People called one of the best of 2012, an Orange Prize winner… and my book.

This isn’t humblebragging.  This is serious “honor just to be nominated” territory.

Also exciting is the category under which Three Parts Dead was considered: Fiction.  Not science fiction or fantasy or urban fantasy or books with zombies.  Just, fiction.  It’s a nice, simple word, and the umbrella of its definition shelters three different breeds of literary thriller, a Trojan War romance, a novel of art and desire in the Great Depression, and my legal mystery theological second world contemporary 21st century industrial capitalism fantasy explosion.  I do love the genre section of the bookstore (especially when it’s nice and close to the front, as it is in Porter Square Books), but it’s cool that the Mass Book Award takes into account all books, regardless of immediate shelving.  Because we’re all in this together, and after reading the descriptions of these novels, I want to read ’em all.

Recent Work!

Since I last wrote in this space, I’ve snorkeled with manta rays, climbed through lava tubes, kayaked next to a humpback whale and her calf, surfed, danced with a volcano goddess, and drank an awful lot of coffee.  Then I came back from Hawai’i, and spent the next week and a half editing the next book for Tor.  Critical time—somewhere in the two weeks of vacating I think a lot of the disparate threads of the manuscript came back together, and I’ve been much happier about the last two drafts.

I’ll be writing more in this space in coming days, but for the moment I want to catch y’all up on my writing as it’s spread throughout the internet.

  • Over on Aidan Moher’s blog A Dribble of Ink, I continue my blog post series on non-Western fantasy source material with a gigantic essay on Romance of the Three Kingdoms that is, among many other things, a naked plea for everyone on the internet to just watch Red Cliff already.  If you missed it, I posted a similar essay on Journey to the West last month!  Already thinking about next month’s entry, which kind of terrifies me in scope.
  • On Sunday, inspired by my recent round of revisions, I posted to Operation Awesome about Allen Ginsberg’s Fourteen Steps for Revising Poetry, which work for almost everything really.
  • For that matter, a couple weeks back I posted another little entry on wordcount and tracking accurate metrics in writing that might be useful to anyone who’s ever agonized over wordcount.  I don’t so much offer answers as suggest that questions which are easy to ask and answer are not always the most helpful.

I hope you’ve all been well, and I look forward to posting here a little more often in coming weeks!

Three Parts Dead Charity Auction for Con or Bust

Boston / Somerville has survived Snowmageddon 2013—six foot drifts outside my house, but a few hours of shoveling and a mug of Burdick’s hot chocolate makes everything better.  I spent as much of the weekend as possible chilling out, though we did step out yesterday evening for a performance of the ART’s excellent Glass Menagerie, on which more later.

Dinocorn holding sign that says 'Con or Bust'

Big news now, though—I want to encourage y’all to participate in February’s awesome Con or Bust auction.  Con or Bust is a non-for-profit fund that helps sponsor fans of color who wish to attend conventions but can’t for monetary reasons.  They’ve been doing great work since 2009.  Tor has donated a copy of Three Parts Dead to the auction, and I’d obviously feel tickled if it went for a good chunk of money, but the Con or Bust website (linked above) has a bunch of excellent SFF-themed auction prizes, ranging from books to crits to Ekaterina Sedia’s offer of a wardrobe consultation.

Go forth!  Support SFF community diversity!  Rock on!

Hugo Awards Season is Here, and You Can Vote!

When I was a kid, just discovering science fiction and fantasy, my uncle recommended I start with books that won the Hugo and Nebula awards, and move on from there.  I discovered some of my favorite books this way, but I always figured that the awards were voted upon by Secret Masters seated on some distant mountain.  Only last year did I learn that anyone can nominate works for the Hugos, and vote on them—well, anyone willing to spend a little money for the privilege.

Here’s how it works: each year, one science fiction convention out of all conventions in the world holds the title of “World Con.”  This year’s World Con is Lone Star Con, held in San Antonio.  Anyone who, as of January 31 2012, has a membership (basically, a ticket) to this year’s World Con, or last year’s, or next year’s, can nominate and vote.  World Cons even have a ticket you can buy if you don’t want to go to the con, and only want to nominate and vote on the Hugo Awards—it’s $60, and gives you voting / nominating rights both this year and next year.

For $60, you get to stand up and say what you think the most important works in science fiction and fantasy were last year.  Pretty wild.  And the voting pool’s actually quite small.  It’s not tiny or anything, but each vote makes a difference, and if you feel certain works or authors aren’t getting enough attention, your voice matters.

On top of that, for your $60, you generally get electronic copies of the works that end up on the final ballot.  All these authors deserve your, you know, real financial support—as far as I know being in the Hugo voting packet doesn’t garner anyone royalties or ad impressions—but voting packets are great ways of discovering new authors you can support in the future.  One of my favorite genre books of 2011 I discovered in the Nebula voter’s packet.  Pretty neat!

Here’s what you do:

1. Register for World Con before Jan 31 2012, by filling out this form.  Click “Submit.”  This will take you to a page where you can select the kind of membership you want to buy.  If you don’t plan to go to World Con this year in person, you want the “Supporting Membership ($60),” which is the last option on the next page.   Fill out the form, and click “Buy Now,” which will take you to a PayPal payment processing page.

2. Receive a Hugo Voter PIN.  World Con will send this number to you.

3. When you have received your PIN, use this electronic form to nominate works for the Hugo, and there you go!  You’ll receive more instructions from the award administrators from that point on.

But Max, what should I vote for?

If you got this far, you probably have some strong ideas of your own, and I bet you can decide for yourself.  The Hugos have categories for everything.  This website I keep linking you to has a list; some sections about which you may have opinions, depending on what you do for fun, are “Best Novel,” “Best Short Story,” “Best Dramatic Presentation (Long Form)” (which is to say, movie), “Best Dramatic Presentation (Short Form)” (probably a single episode of a television show—I don’t know how two-parters work in Hugo voting), Best Professional Artist, Best Fan Writer (very happy this category exists!), Best Fan Artist (ditto!), and so on.

This year was pretty dense with writing, and I didn’t catch up on a lot of the good new releases.  Rise of Ransom City, by Felix Gilman, came out in 2012, as did Railsea, by China Mieville, and I liked them both a great deal.  A kind of left-field idea: Madeline Miller’s novel The Song of Achilles is amazing, and while it’s shelved in the Literature section of the bookstore, it’s that rare gem, a retelling of the Illiad that actually includes, you know, gods, and goddesses, and all that fantastical stuff that’s actually in the text.  Plus, it’s beautifully written, and it’d tickle me if there was an edition of the book that had both the Orange Prize and the Hugo listed on the cover.  Take that, Artificial Genre Boundaries!

Of course, there’s plenty of television and film to nominate.  This was a good year for SF and superhero blockbusters—but please consider my impassioned plea to consider Rian Johnson’s Looper.  At least see it, if you haven’t already.  It’s a good film.

What are you eligible for, Max?

My first book, Three Parts Dead, is eligible for Best Novel, and is awesome.  I’d be pleased if you would consider nominating it.  Don’t take my word for it—ask Carrie Vaughn, or the Book Smugglers.  Also, I’m eligible for the John W. Campbell Best New Writer award this year  The Campbell isn’t a Hugo Award, but Hugo voters vote on the Campbell award at the same time as the Hugo award.  A little complicated, I know.

As for related works, my amazing cover artist, Chris McGrath, is eligible for Best Professional Artist, and my editor David Hartwell is almost certainly eligible for Best Editor.

And that’s a long post, so I’ll cut it short here. Any questions? What did you think was the best genre novel of 2012?

The Year is Dead! Long Live the Year!

One of my favorite internet-geeky traditions over the last few years has been following the Death vs. Old Year chase on Tatsuya Ishida’s Sinfest.  Considering this year’s installment just ended, I figure I’m not too late to publish my “Hello 2013” post.

First, finishing up old business: over at The Book Smugglers, Three Parts Dead made Ana’s Most Excellent Books of 2012 Top 10 list, coming in at #2!  Also, two Tor.com reviewers named Three Parts Dead one of their favorites of 2012!  Each reviewer was asked to pick only three books, which makes this extra neat.

2012 was a wild year for me, and for my family.  Huge heaping gobs of change and transformation, one of those years that makes you think Heraclitus was right.  My first book came out.  I quit my day job.  I’m an uncle, now.  My wife’s graduated from law school, and started working.  I’ve made new friends, climbed on a glacier, given a speech at Comic Con, read the Hunchback of Notre Dame in Paris, visited Napoleon’s tomb, traded jokes with guards in the Department of Justice, and improved from being a complete idiot on the fencing strip to being an almost complete idiot.  I drafted a successful Control deck for the first time.  I’ve met amazing authors, and I’ve met excellent folks over dumplings who I only later found out were amazing authors.

All in all, a great 2012.  2013 is shaping up to be less hectic, but still awesome.  For starters: in the next week or two I’m going to finish the first draft of this novel.  And then I’m going to write another one.  Because that’s how I roll.

A Very Nice Weekend

I don’t mean to boast, but…

HO. HO. HO.

If you’re one of those unlucky folks out there who hasn’t read Hogfather, you’re in for a treat when you finally do get around to it.  Hogfather’s so much fun to read.  Terry Pratchett writing at the height of his powers produces a book that skewers and exults Christmas at the same time.  (As the Death books tend to do with their subject matter.)  Pratchett can do something few other writers dare to try: gutpunch you while you’re laughing, without spoiling the laughter.  At his best, he makes me want to laugh and cry and start a revolution all at the same time.

Lagavulin 16 is quite a nice single malt.  A reliable source (basically my friend Dan, who looks stuff like this up on Wikipedia) informs me that “Happy Christmas” came about as a phrase because Victorians thought “Merry Christmas” was too intemperate and promoted drunkenness.  Be merry responsibly, I suppose?

For all my joking above, Scotch-and-Pratchett was just the easiest-to-photograph part of an excellent weekend, that included, among other things, a wonderful Messiah Pt 1 performed by my wife’s choir, and a showing of the Hobbit, which I liked.

Writing and editing proceed well, though not remarkably on either front.  I have dinner in the oven so I’m going to sign off and do some more work before the alarm bell rings. That should put me well over threshold for the day.  Rock on, you crazy people.